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Huck.TV
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The adventure-seeker who found her purpose in the wild
Huck x The North Face
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The torture of Tokyo rush hour, up close and impersonal
One hell of a commute
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Privileged kids need to stop fetishising working class culture
From Where I Stand
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The wild lives of teenagers in Northern Russia
Igor Samolet: Be Happy
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The moshing, masks and mania of Colombia’s metal scene
The Travel Diary
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The man who eats roadkill
Waste not, want not
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An intimate look at after hours queer Manhattan
An endless past
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The daredevil climber risking his life for breathtaking views
Above the clouds...
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Ali Boulala
Things I Need to Say
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Beauty of the slowride: One man’s year-long cycling adventure around the world
One Year on a Bike
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The teen champion taking the fencing world by storm
Huck x Nike
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The photographer who found freedom through running
Huck x Nike
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What it takes to be a 12-year-old dance sensation
Huck x Nike
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Documenting the dark side of life in Niagara Falls, NY
Original Huck Film
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An outsider’s take on America’s apocalyptic west
Huck x RVCA
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Inside the UK grime scene, where creative talent thrives
Huck Film: My Element
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A young mother commutes from Mexico to the US
Huck Film: Mitad Y Mitad
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The London pub reigniting the city’s drag scene
Huck Film: Nights of Glory
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The Interrogation of Kim Gordon
Original Huck Film
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A story of sisterhood and escapism
Roller Derby Beirut
Editor's Picks
If coming of age means realising who you are, then the breakthrough can arrive at any time – no matter what stage you’re at.
For an immigrant, losing a home is a given, but Margarita Gokun Silver wonders if never finding one again is also part of the journey.
The horror and despair of the current informational carnage have a precedent in the pamphlet culture of the sixteenth and seventeenth centuries in England.
Saturday, May 19, 2018: 24 hours of romance, lust and heartache in New York.
Young people across the world are refusing to be ignored and downtrodden: a generation determined to build something better, something bolder, something new.
Imagine if you had the most influential people in the world as a captive audience for the length of a single film. What would you screen to them, and why?
